Gwyn ap Nudd: Wild God of Faerie, Guardian of Annwfn - Watkins MIND ... www.watkinsmagazine.com |
Winter looms on the horizon, the Wheel of the Year turns once more, the boundary between our world and the spirit world is fragile and thin. In cultures all over the world, the spirit of Death has been celebrated at this time of the year.
How do you celebrate Hallowe'en, the night of all souls, which the Irish call Samhuin, and the Welsh call Calan Gaeaf?
Is it for you a chance to move through the veil between the worlds and communicate with those you loved, and have lost in this world?
Or is it a chance to drum into trance and search for ancestor wisdom?
Or do you search for the gods and goddesses who are associated with death and darkness, such as Gwyn ap Nudd, Arawn, Hecate, the Morrighan, Anubis and Osiris, Hades, and, of course Hel, daughter of Loki, with her bones on the outside of her body, portrayed in black and white,
Do you avoid it altogether, as a time when death is abroad and best avoided?
Or do you just think that we imagine such things, and make it all up, as the darkness descends at this time of year, that silly idea of a thinning of a veil between worlds, and that other being can contact humans at these times?
Certain, we must surely agree that somewhere in all the ancient myths there are acorns of truth. The last time I was in Ireland, my taxi driver explained, as we passed a fairy hill, that the Sidhe lived beneath it, and that the farmer would never drive a tractor across it.
The otherworld had many names across the world we now think of as Celtic, including Tir-na-nog, the land of Youth, Tir-Innambeo, The Land of the Living, Tir- Tairngire, The Land of Promise, Tir N-aill, the Other World, Mag More, The Great Plain, The Isle of Women, Isle of Apples. This otherworld was located quite far away, over sea or though mist, or deep below the ground. It was thought of as a world of peace, harmony and abundance, where no ailment or death could be found. Hy-Brasil (from Gaelic, “Isle of the Blessed”) was an “enchanted island“ off the coast of Ireland – seen by many people over a thousand years, but never remaining in one location, it then disappeared from maps completely.
In The Adventure of Bran, Son of Febal from the seventh century, Bran travels to Hy-Brasil a paradise supported on golden pillars. No one is ever sad or ill there; they are always happy, continually playing games to musical accompaniment. When early sailors crossed the Atlantic and landed on the coast of South America, they imagined they had found Hy-Brasil at last, and that country is called Brasil to this day.
I'm not sure we do need to wait until Samhuin to contact the ancestors, though. In lockdown, we did a summer outdoor ritual which focused on those relations recently passed; our parents, our grandparents and their parents. Read it here.
There is another side to Samhuin, which is to explore, in this winter darkness, our own weaknesses and difficulties. Often, this is harder than speaking to loved ones who have passed into the next life. Old wounds might be ignored in the busy light of day, but in candlelight on the 31st of October, when the veil is thin, they confront us, allowing us to pass over normal boundaries and examine our human condition in the raw. These wounds, personal, family, historic or from a wider experience, can be forceful, they can create a disconnect, they can chip away at our soul, and destroy our enjoyment of life. They can obstruct us, actually create a spiral where we can't heal them because the wounds prevent that healing. Going on such a journey at Samhiun, meeting ones otherworldly allies and speaking honestly with our guides and guardians can help reverse this spiral.
The Spoils of Annwn is an ancient Welsh myth that tells of a heroic journey of King Arther and a group of warriors. They take their ship Prydwen (wen means white, pure, or blessed) on a perilous voyage into the otherworld. They visit seven different forts on seven otherworldly islands in search of a magical cauldron.My first words were spoken concerning the cauldron: from the breath of nine maidens it is warmed. It is the cauldron of the Head of Annwfn; what is its purpose with its dark rim and edged with pearls? It will not boil the food of a coward; it is not destined to do so.
This poem was written down in the fourteenth-century Llyfr Taliesin (Book of Taliesin) It is hauntingly beautiful, There is a translation of this poem in Robert Graves' The White Goddess.
It can be used to create ritual, or it can be use to access a shamanic journey. Studying it closely brings it alive. To me, this white ship is a trancelike journey to meet ancestors and learn from them, while also learning more about one's "self", and one's "life journey". In ritual, we can visit each castle or 'Caer' and look at them from whatever approach we need on our journey; maybe aspects of our characters, or goals to drive towards, or weaknesses we'd like to be strong about removing from our lives.
One thing is clear though, it's not a place for the fainthearted. The texts reminds us constantly that; And when we went with Arthur,/ dolorous visit, / except seven/ none rose up. Other translations say ...none returned.
Stay safe in ritual by laying down ground rules with the other ritualists, and discussing the ideas beforehand. Stay safe when journeying by knowing you can return to your 'home space' the chosen place that should start and end a journey, and by calling your animal allies to you to accompany you and guide you on your way...and on your way back.